The beauty of the sound is unparalleled and perfect for classical music!!!!!

When you step into the newly opened hall, you are first struck by the height of the ceiling. Then you notice the subdued colored sound-absorbing materials affixed to the walls. Each material is color-coded according to the frequency range it works on.

The BC series’ top-of-the-line BC, with its 10-woofer. Spencer treats the unit like his own child.

When making speakers, it’s important to put yourself in the shoes of the person who will use them.

The factory is not particularly large, but it is neatly divided into sections for winding coils, building units, testing, and inspecting enclosures. Entering the factory, the first thing that caught my eye was the BC II enclosure.

The sophisticated and elegant design that makes Spendor products instantly recognizable is of course the work of Mr. Spencer, and the enclosure is made by a specialist company in London.

The material is Birch ply, and the reason for using it is that it is stable enough to produce the same product even when it is used. The netting used in both the BC and SA series is also Spencer’s favourite colour, tan brown (a nice brown). “Just like the enclosures, the colour of this netting is slightly different for each one. So we select two identical ones to make a pair.

Spencer measuring and checking the completed Bextrene woofer. This is where the unit’s frequency characteristics are measured. ◎A female worker works hard winding the coils. Each one is carefully wound by hand. ○A final check of the completed B C-il system. Engineer John Woodford is conducting the tests.

“It’s not just the sound, but the appearance too must be the same on both sides, otherwise it would be unnatural,” Spencer said, his words leaving a lasting impression. He truly understands the feelings of people who enjoy music through speakers.

We use tapes with known content to test speakers!!!!

The sound sources in the listening room were an open-deck A-700 and a Studer B

The new SA-2 is on the right, and the SA-1. Derek has been experimenting in this listening room almost every day recently. The man on the left is concentrating on adjusting the new SA Series in his room.

You can’t judge what you don’t know, and the recording includes speech, music, orchestra, and Derek.

Polegate, a little over an hour south of London’s Victoria Station, is close to the seaside resort of Eastburn. The rolling hills are covered in greenery. The sea comes into view beyond the road that runs uphill, dividing the green grass in two. “It’s great to work in such a beautiful environment!” says Spencer.

“It’s been completely taken up by Derek lately,” Spencer said, and when I took a look inside the listening room, I saw the SA-2 and SA-3 being set up and being adjusted.